His work is not limited to representing the animal. He is looking to recreate an experience, a moment of silent tension, of intimacy between two forms of consciousness. What he is interested in is not the perfect image, but theReal moment, lived, which precedes the work. The animal is therefore not a “remote” subject but a co-present, a being with whom it is a question of dealing — in every sense of the word. A painting situated, embodied, committed. Far from a studio closed in on itself, Lise's painting is born from outside: in the forest, on the steppe, in the snow, on the banks of a river, with healers or naturalists. This Field practice, this sinking physics, echoes contemporary approaches such as that of artist-walkers, artist-researchers or those who work in ecological residency.
It is thus part of an aesthetic of slowness, of displacement, of the construction of the encounter — against the current of the digital flow of animal images that are often detached from any lived reality.